Frankie Knuckles was not only an important disco DJ; he also helped to develop house music in the 1980s. The instructional show aired on Saturday mornings and had a strong following. The Bee Gees, for instance, had only one top-10 entry (1989's "One") and three more top-40 songs (despite recording and releasing far more than that and completely abandoning disco in their 1980s and 1990s songs) in the United States after the 1970s, even though numerous songs they wrote and had other artists perform were successful. In addition to her disco-influenced attire to award shows and interviews, her Confessions Tour also incorporated various elements of the 1970s, such as disco balls, a mirrored stage design, and the roller derby. Au programme : Bonne Musique et Bonne Humeur. [76][80][85] It was also interpreted being part of a wider cultural "backlash", the move towards conservatism,[91] that also made its way into US politics with the election of conservative president Ronald Reagan in 1980, which also led to Republican control of the United States Senate for the first time since 1954, plus the subsequent rise of the Religious Right around the same time. (1983), Midnight Star's "Freak-a-Zoid" (1983), Chaka Khan's "I Feel For You" (1984). The label continued to release successful disco songs into the 1980s with Rick James' "Super Freak" (1981), and the Commodores' "Lady (You Bring Me Up)" (1981). Ruffin eventually left the record label in the mid-1970s, but saw success with the 1980 disco song "Hold On (To My Love)", which was written and produced by Robin Gibb of the Bee Gees, for his album Sunrise. DJs would select songs and grooves according to what the dancers wanted, transitioning from one song to another with a DJ mixer and using a microphone to introduce songs and speak to the audiences. In country music, artists like Connie Smith covered Andy Gibb's "I Just Want to Be Your Everything" in 1977, Bill Anderson recorded "Double S" in 1978, and Ronnie Milsap released "Get It Up" and covered blues singer Tommy Tucker's song "Hi-Heel Sneakers" in 1979. The Jackson 5, one of Motown's premier acts in the early 1970s, left the record company in 1975 (Jermaine Jackson, however, remained with the label) after successful songs like "I Want You Back" (1969) and "ABC" (1970), and even the disco song "Dancing Machine" (1974). They included using music venues with a loud, overwhelming sound, free-form dancing, trippy lighting, colorful costumes, and the use of hallucinogenic drugs. Harmonically, disco music typically contains major and minor seven chords, which are found more often in jazz than pop music. "A far l'amore comincia tu" has also been covered in Turkish by a Turkish popstar Ajda Pekkan as "Sakın Ha" in 1977. In the 1970s, individual DJs became more prominent, and some DJs, such as Larry Levan, the resident at Paradise Garage, Jim Burgess, Tee Scott and Francis Grasso became famous in the disco scene. And from 1991 onwards he was Leader of the New Power Generation (which evolved the line-up almost every year) until his passing 2016. Classical music was even adapted for disco, notably Walter Murphy's "A Fifth of Beethoven" (1976, based on the first movement of Beethoven's 5th Symphony) and "Flight 76" (1976, based on Rimsky-Korsakov's "Flight of the Bumblebee"), and Louis Clark's Hooked On Classics series of albums and singles. [121] Like house, it incorporated disco culture's same love of dance music played by DJs over powerful sound systems, recreational drug and club drug exploration, sexual promiscuity, and hedonism. Jello Biafra of the Dead Kennedys, in the song "Saturday Night Holocaust", likened disco to the cabaret culture of Weimar-era Germany for its apathy towards government policies and its escapism. In 1974, New York City's WPIX-FM premiered the first disco radio show.[46]. By the late 1970s most major US cities had thriving disco club scenes. Boney M. charted worldwide with such songs as "Daddy Cool" (1976) "Ma Baker" (1977) and "Rivers Of Babylon" (1978). Mary Wells, Motown's first female superstar with her signature song "My Guy" (written by Smokey Robinson), abruptly left the label in 1964. [28] The music, Shapiro states, is adjunct to "the pleasure-is-politics ethos of post-Stonewall culture." Craig Werner wrote: "The Anti-disco movement represented an unholy alliance of funkateers and feminists, progressives and puritans, rockers and reactionaries. "The best disco music contained within it a remarkably powerful sense of collective euphoria. According to Peter Braunstein, the "massive quantities of drugs ingested in discothèques produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. Nightclub-goers often wore expensive, extravagant, and sexy fashions. They were known for their onstage costumes of typically male-associated jobs and ethnic minorities and achieved mainstream success with their 1978 hit song "Macho Man". The sound was enriched with solo lines and harmony parts played by a variety of orchestral instruments, such as harp, violin, viola, cello, trumpet, saxophone, trombone, clarinet, flugelhorn, French horn, tuba, English horn, oboe, flute (sometimes especially the alto flute and occasionally bass flute), piccolo, timpani and synth strings, string section or a full string orchestra. Claude François, who re-invented himself as the king of French disco, released "La plus belle chose du monde", a French version of the Bee Gees song "Massachusetts", which became successful in Canada and Europe and "Alexandrie Alexandra" was posthumously released on the day of his burial and became a worldwide success. [citation needed]. They cut the next single on a 12" disc, the same format as a standard album. "The driving force of the New York underground dance scene in which disco was forged was not simply that city's complex ethnic and sexual culture but also a 1960s notion of community, pleasure and generosity that can only be described as hippie", he says. Also in 1975, Vincent Montana Jr.'s Salsoul Orchestra contributed with their Latin-flavored orchestral dance song "Salsoul Hustle", reaching number four on the Billboard Dance Chart and their 1976 hits "Tangerine" and "Nice 'n' Naasty", the first being a cover of a 1941 song. Sports, music, news and podcasts. Comedian Bill Cosby devoted his entire 1977 album Disco Bill to disco parodies. Some DJs would use reel-to-reel tape recorders to make remixes and tape edits of songs. This Swedish quartet, which sang primarily in English, found success with singles such as "Waterloo" (1974), "Fernando" (1976), "Take a Chance on Me" (1978), "Gimme! Well-known disco artists include Donna Summer, Gloria Gaynor, Giorgio Moroder, Boney M., Earth Wind & Fire, the Bee Gees, Chaka Khan, Chic, KC and the Sunshine Band, Thelma Houston, Sister Sledge, The Trammps, the Village People, and Michael Jackson. Other top-10 entries from 2015 like Mark Ronson's disco groove-infused "Uptown Funk", Maroon 5's "Sugar", the Weeknd's "Can't Feel My Face" and Jason Derulo's "Want To Want Me" also ascended the charts and have a strong disco influence. His band James White and the Blacks wrote a disco album titled Off White. Disco is further characterized by a 16th note division of the quarter notes as shown in the second drum pattern below, after a typical rock drum pattern. c' est mon amie.Elsa T'en Va Pas The Supremes, the group that made Ross famous, scored a handful of hits in the disco clubs without her, most notably 1976's "I'm Gonna Let My Heart Do the Walking" and, their last charted single before disbanding, 1977's "You're My Driving Wheel". It had an important influence on early alternative dance and dance-pop, and played a key role in the transition between disco and house music during the early 1980s and later forms of electronic dance music. (A Man After Midnight)" (1979), and their signature smash hit "Dancing Queen" (1976)—ranks as the Fourth best-selling act of all time. [18], In addition to the dance and fashion aspects of the disco club scene, there was also a thriving club drug subculture, particularly for drugs that would enhance the experience of dancing to the loud, bass-heavy music and the flashing colored lights, such as cocaine[19] (nicknamed "blow"), amyl nitrite ("poppers"),[20] and the "... other quintessential 1970s club drug Quaalude, which suspended motor coordination and gave the sensation that one's arms and legs had turned to 'Jell-O. During the first years of the 1980s, the disco sound began to be phased out, and faster tempos and synthesized effects, accompanied by guitar and simplified backgrounds, moved dance music toward the funk and pop genres. This in turn affected the arrangement of dance music, since songs in the disco era typically contained beginnings and endings marked by a simple beat or riff that could be easily used to transition to a new song. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, horns, electric piano, synthesizers, and electric rhythm guitars.. Les plus grands artistes sont en interview sur Nostalgie. [112] In Hobart, Australia, it was reported that the popularity of roller skating was at its highest since the 1980s. [79][80], The punk subculture in the United States and United Kingdom was often hostile to disco,[76] although in the UK, many early Sex Pistols fans such as the Bromley Contingent and Jordan liked disco, often congregating at nightclubs such as Louise's in Soho and the Sombrero in Kensington. [88] Casablanca Records had been releasing fewer records in the 1980s, and was shut down in 1986 by parent company PolyGram. In their history of the disc jockey and club culture, Bill Brewster and Frank Broughton describe the Sanctuary as "poured full of newly liberated gay men, then shaken (and stirred) by a weighty concoction of dance music and pharmacoia of pills and potions, the result is a festivaly of carnality. [114] In early September 2020, South Korean boy band BTS debuted at number 1 in the US with their English–language disco single "Dynamite" having sold 265,000 downloads in its first week in the US, marking the biggest pure sales week since Taylor Swift's "Look What You Made Me Do" (2017). The rising popularity of disco came in tandem with developments in the role of the DJ. During this period of decline in disco's popularity, several record companies folded, were reorganized, or were sold. ", "How Dua Lipa Is Leading The Charge Toward Disco-Influenced Production", "A comeback of disco amid the COVID-19 pandemic", "Róisín Murphy, a Disco Queen Ruling Her Own Galaxy", "Was This the Summer You Started Roller-Skating? [33], In the 1970s, the key counterculture of the 1960s, the hippie movement, was fading away. Variations included the Brooklyn Hustle, New York Hustle and Latin Hustle.[15]. [86] Karen Mixon Cook, the first female disco DJ, stated that people still pause every July 12 for a moment of silence in honor of disco. She briefly reappeared on the charts with the disco song "Gigolo" in 1980. Scott developed several innovations. Factors that have been cited as leading to the decline of disco in the United States include economic and political changes at the end of the 1970s, as well as burnout from the hedonistic lifestyles led by participants. There are, however, more minimalist flavors of disco with reduced, transparent instrumentation, pioneered by Chic. [125] These vendors often associate it with re-edits of original-era disco music, as well as with music from European producers who make dance music inspired by original-era American disco, electro and other genres popular in the late 1970s and early 1980s. The Detroit Spinners were also signed to the Motown label and saw success with the Stevie Wonder-produced song "It's a Shame" in 1970. In Julie Malnig ed. [90] In the years since Disco Demolition Night, some social critics have described the "Disco sucks" movement as implicitly macho and bigoted, and an attack on non-white and non-heterosexual cultures. Madison Avenue look to impose their will upon it, to set terms and roles. Dahl stated in a 2004 interview that disco was "probably on its way out [at the time]. [34], In Beautiful Things in Popular Culture, Simon Frith highlights the sociability of disco and its roots in 1960s counterculture. Norman Whitfield was an influential producer and songwriter at Motown records, renowned for creating innovative "psychedelic soul" songs with many hits for Marvin Gaye, the Velvelettes, the Temptations and Gladys Knight & The Pips. In addition, Arcade Fire's Reflektor featured strong disco elements. ", Rip it Up and Start Again POSTPUNK 1978–1984 by, "Are We Not New Wave Modern Pop at the Turn of the 1980s Theo Cateforis Page 36. DJs were often avid record collectors, who would hunt through used record stores for obscure soul records and vintage funk recordings. It contained the disco single "Baby That's Backatcha". The band Chic was formed mainly by guitarist Nile Rodgers—a self-described "street hippie" from late 1960s New York—and bassist Bernard Edwards. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. Disco was a music of mutual attraction: cruising, flirtation, negotiation. Every song they wrote was written with an eye toward giving it "deep hidden meaning" or D.H.M. Starting in the 1980s, country music began a slow rise in American main pop charts. In January 1979, rock critic Robert Christgau argued that homophobia, and most likely racism, were reasons behind the movement,[79] a conclusion seconded by John Rockwell. The anti-disco movement, combined with other societal and radio industry factors, changed the face of pop radio in the years following Disco Demolition Night. In the early 1970s, the Philadelphia soul productions by Gamble and Huff evolved from the simpler arrangements of the late-1960s into a style featuring lush strings, thumping basslines, and sliding hi-hat rhythms. ", which shows strong elements of disco, became the 26th song to debut at number-one on the Billboard Hot 100 in the history of the chart. The shift by some DJs to the newer sounds coming from the U.S.A. resulted in a split in the scene, whereby some abandoned the 1960s soul and pushed a modern soul sound which tended to be more closely aligned with disco than soul. "[25] The promiscuity and public sex at discos was part of a broader trend towards exploring a freer sexual expression in the 1970s, an era that is also associated with "swingers clubs, hot tubs, [and] key parties."[26]. Tim Lawrence: "Beyond the Hustle: Seventies Social Dancing, Discothèque Culture and the Emergence of the Contemporary Club Dancer." [98] In 2005, Madonna immersed herself in the disco music of the 1970s, and released her album Confessions on a Dance Floor to rave reviews. Originating at venues such as the Twisted Wheel in Manchester, it quickly spread to other UK dancehalls and nightclubs like the Chateau Impney (Droitwich), Catacombs (Wolverhampton), the Highland Rooms at Blackpool Mecca, Golden Torch (Stoke-on-Trent) and Wigan Casino. A 2013 remix of "MacArthur Park" by Summer topped the Billboard Dance Charts marking five consecutive decades with a number-one song on the charts. A 17-minute 12-inch single was released. Hear the audio that matters most to you. Robbie Williams' disco single "Rock DJ" was the UK's fourth best-selling single the same year. Other Motown artists who scored disco hits include: Robinson's former group, the Miracles, with "Love Machine" (1975), Eddie Kendricks with "Keep On Truckin'" (1973), the Originals with "Down to Love Town" (1976) and Thelma Houston with her cover of the Harold Melvin and the Blue Notes song "Don't Leave Me This Way" (1976). [18], During the disco era, men engaged in elaborate grooming rituals and spent time choosing fashion clothing, both activities that would have been considered "feminine" according to the gender stereotypes of the era. Tout savoir sur les années 70, 80, 90. "The "chicken scratch" sound is achieved by lightly pressing the guitar strings against the fretboard and then quickly releasing them just enough to get a slightly muted poker [sound] while constantly strumming very close to the bridge. The largest scenes were most notably in New York City but also in Philadelphia, San Francisco, Miami, and Washington, D.C. In 1978, Donna Summer's multi-million selling vinyl single disco version of "MacArthur Park" was number one on the Billboard Hot 100 chart for three weeks and was nominated for the Grammy Award for Best Female Pop Vocal Performance. [96] Musically, this transition was marked by the change from complex arrangements performed by large ensembles of studio session musicians (including a horn section and an orchestral string section), to a leaner sound, in which one or two singers would perform to the accompaniment of synthesizer keyboards and drum machines. Mixing engineers had an important role in the disco production process, because disco songs used as many as 64 tracks of vocals and instruments. [83] Steve Hillage, shortly prior to his transformation from a progressive rock musician into an electronic artist at the end of the 1970s with the inspiration of disco, disappointed his rockist fans by admitting his love for disco, with Hillage recalling "it's like I'd killed their pet cat."[84]. Suivez toute l'actualité française et internationale avec les News 24/7 Disco-era disc jockeys (DJs) would often remix existing songs using reel-to-reel tape machines, and add in percussion breaks, new sections, and new sounds. hervéSUPER c année 80 90Desireless Voyage Voyage. 1–24. It was highly stylized, sophisticated and overtly sexual. In the late 1980s and early 1990s, rave culture began to emerge from the house and acid house scene. Most disco songs have a steady four-on-the-floor beat, a quaver or semi-quaver hi-hat pattern with an open hi-hat on the off-beat, and a heavy, syncopated bass line. Unlike the simpler, four-piece-band sound of funk, soul music of the late 1960s, or the small jazz organ trios, disco music often included a large band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums), a horn section, a string orchestra, and a variety of "classical" solo instruments (for example, flute, piccolo, and so on). In one scene of the 1980 comedy film Airplane!, a wayward airplane slices a radio tower with its wing, knocking out an all-disco radio station. In Italy Raffaella Carrà is the most successful disco act, alongside La Bionda, Hermanas Goggi and Oliver Onions. [18] Bold colors were popular for both genders. In the 1970s, notable discos included "Crisco Disco", "The Sanctuary", "Leviticus", "Studio 54" and "Paradise Garage" in New York, "Artemis" in Philadelphia, "Studio One" in Los Angeles, "Dugan's Bistro" in Chicago, and "The Library" in Atlanta.[14][15]. [66] Some critics said the film "mainstreamed" disco, making it more acceptable to heterosexual white males.[67]. Disco was mostly developed from music that was popular on the dance floor in clubs that started playing records instead of having a live band. Gimme! With synthesizers and Krautrock influences, that replaced the previous disco foundation, a new genre was born when Afrika Bambaataa released the single "Planet Rock," spawning a hip hop electronic dance trend that includes songs such as Planet Patrol's "Play at Your Own Risk" (1982), C-Bank's "One More Shot" (1982), Cerrone's "Club Underworld" (1984), Shannon's "Let the Music Play" (1983), Freeez's "I.O.U." [122] For shock value, James Chance, a notable member of the no wave scene, penned an article in the East Village Eye urging his readers to move uptown and get "trancin' with some superradioactive disco voodoo funk". 'Groovejet' accepts the night's changeability, happily sells out certainty for an amused smile and a few great one-liners."[99]. WDAI, who survived the change of public sentiment and still had good ratings at this point, continued to play disco until it flipped to a short-lived hybrid Top 40/rock format in May 1980. Disco mogul and producer Giorgio Moroder also re-appeared with his new album Déjà Vu in 2015 which has proved to be a modest success. Campion, Chris (2009). [30] This law and classification coupled together can be understood to have heavily dissuaded the expression of queerness in public, as such the liberatory dynamics of discotheques can be seen as having provided space for self-realization for queer persons. Queen's 1982 album, Hot Space was inspired by the genre as well. He found that it was impossible to make the 45-RPM vinyl singles of the time longer, as they could usually hold no more than five minutes of good-quality music. In France, Dalida released "J'attendrai" ("I Will Wait") in 1975, which also became successful in Canada, Europe and Japan. Disco was the last popular music movement driven by baby boomers, peaking in popularity during the mid-late 1970s. [107][108] In early 2020, disco-influenced hits such as Doja Cat's "Say So", Lady Gaga's "Stupid Love", and Dua Lipa's "Don't Start Now" experienced widespread success on global music charts, with the three songs charting at numbers 1, 5 and 2, respectively, on the US Billboard Hot 100 chart. In the 1990s, disco and its legacy became more accepted by pop music artists and listeners alike, as more songs and films were released that referenced disco. As late as 1983, K.C. In 2014 Brazilian Globo TV, the second biggest television network in the world, aired Boogie Oogie, a telenovela about the Disco Era that takes place between 1978 and 1979, from the hit fever to the decadence. All of 2000s great disco number ones explore how to play this hand. Last Night a DJ Saved My Life: The History of the Disc Jockey. Early records were the "standard" three-minute version until Tom Moulton came up with a way to make songs longer so that he could take a crowd of dancers at a club to another level and keep them dancing longer. It's a place where things start, but their resolution, let alone their meaning, is never clear. Similarly, Bobby Vinton adapted "The Pennsylvania Polka" into a song named "Disco Polka". [79][83], In 1979, the music industry in the United States underwent its worst slump in decades, and disco, despite its mass popularity, was blamed. The continued popularity of power pop and the revival of oldies in the late 1970s was also related to disco's decline; the 1978 film Grease was emblematic of this trend. The producers of the show, John Reid and Greg Roselli, routinely made appearances at disco functions with Robin and Reggie to scout out new dancing talent and promote upcoming events such as "Disco Night at White Sox Park". The word "discothèque" had the same meaning in English in the 1950s. Prince was inducted into the Rock And Roll Hall of Fame in 2004. Despite its decline in popularity, disco music remained relatively successful in the early 1980s, with songs like Irene Cara's "Flashdance... What a Feeling" (theme to the film Flashdance) and the theme song to the film Fame (later re-sung by Erica Gimpel for the TV show of the same name), Michael Jackson's "Thriller" and "Wanna Be Startin' Somethin'", and Madonna's first album–all which had strong disco influences. This club played a major formative role in the growth of disco music and nightclub culture in general. A recurring theme on the show WKRP in Cincinnati was a hostile attitude towards disco music. The Eagles referenced disco with "One of These Nights" (1975)[73] and "Disco Strangler" (1979), Paul McCartney & Wings with "Silly Love Songs" (1976) and "Goodnight Tonight" (1979), Queen with "Another One Bites the Dust" (1980), the Rolling Stones with "Miss You" (1978) and "Emotional Rescue" (1980), Stephen Stills with his album Thoroughfare Gap (1978), Electric Light Orchestra with "Shine a Little Love" and "Last Train to London" (both 1979), Chicago with "Street Player" (1979), the Kinks with "(Wish I Could Fly Like) Superman" (1979), the Grateful Dead with "Shakedown Street", The Who with "Eminence Front" (1982), and the J. Geils Band with "Come Back" (1980). [124] The moniker appeared in print as early as 2002, and by mid-2008 was used by record shops such as the online retailers Juno and Beatport. It quickly spread to other American cities such as Detroit, where it developed into the harder and more industrial techno, New York City (also see: garage house) and Newark – all of which developed their own regional scenes. [64] Through the influence of Italo disco, it also played a role in the evolution of early house music in the early 1980s and later forms of electronic dance music, including early 1990s' Eurodance. In the early 1970s, Curtis Mayfield and Isaac Hayes scored hits with cinematic soul songs that were actually composed for movie soundtracks: "Superfly" (1972) and "Theme from Shaft" (1971). dom tom.je l'aimerais tout le temps cette jolie femme! "Turn the Beat Around: The Rise and Fall of Disco", Macmillan, 2006. p.204–206: "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. Rip It Up and Start Again POSTPUNK 1978–1984 by, Modulations: A History of Electronic Music, Carl Douglas – "Kung Fu Fighting" (1974), Ain't Gonna Bump No More (With No Big Fat Woman), You're the First, the Last, My Everything, Gimme! In the northwestern sections of the United Kingdom, the northern soul explosion, which started in the late 1960s and peaked in 1974, made the region receptive to disco, which the region's disc jockeys were bringing back from New York City. [8], Vince Aletti was one of the first to describe disco as a sound or a music genre. The Martian, a 2015 film, extensively uses disco music as a soundtrack, although for the main character, astronaut Mark Watney, there's only one thing worse than being stranded on Mars: it's being stranded on Mars with nothing but disco music. 1 on Billboard Hot 100, Becoming the Group's First Leader", "Kylie Minogue is about to save 2020 with the joy-filled first single from her disco-drenched new album", "Kylie Minogue announces details of new single Magic", "The club DJ: a brief history of a cultural icon", "House : Significant Albums, Artists and Songs, Most Viewed", "Disco Double Take: New York Parties Like It's 1975", "Boogie Children: A new generation of DJs and producers revive the spaced-out, synthetic sound of Euro disco", "Beatport launches nu disco / indie dance genre page", "Disco Inferno 2.0: A Slightly Less Hedonistic Comeback Charting the DJs, labels, and edits fueling an old new craze", "When 'Disco Sucks!' in 1979. Disco's decline in popularity after Disco Demolition Night was rapid. [86] By September 22, there were no disco songs in the US Top 10 chart, with the exception of Herb Alpert's instrumental "Rise," a smooth jazz composition with some disco overtones. Of the handful of groups not taken down by disco's fall from favor, Kool and the Gang, Donna Summer, the Jacksons—and Michael Jackson in particular—stand out: In spite of having helped define the disco sound early on,[89] they continued to make popular and danceable, if more refined, songs for yet another generation of music fans in the 1980s and beyond. [8], The birth of disco is often claimed to be found in the private dance parties held by New York City DJ David Mancuso's home that became known as The Loft, an invitation-only non-commercial underground club that inspired many others. (A Man After Midnight), Yvonne Elliman – "If I Can't Have You" (1977), Saturday Night Fever: The Original Movie Sound Track, Monterrey Institute of Technology and Higher Education, Mexico City, House Master Boyz and the Rude Boy of House, List of number-one dance singles of 1978 (U.S.), List of number-one dance singles of 1979 (U.S.), "Readers' Poll: The Best Disco Songs of All Time", "The Legacy of Giorgio Moroder, the "Father of Disco, "Paul Morley's showing off ... Vince Aletti, Bill Brewster and Luke Howard", "ARTS IN AMERICA; Here's to Disco, It Never Could Say Goodbye", "What the Funk?!
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